Wednesday cont.
Robert, family butcher par excellence and not so excellent Cleo
Hartley’s ex-spouse was standing centre stage oblivious to the shouting and
screaming that accompanied any instructions dished out by Mr Defoe, who was
moving the cast around while they commanded Moses to go down to Egypt’s land.
Mr Morgan, perennially accompanying whatever proceedings were
ongoing, was dressed to kill and perfumed pungently with a musk concoction in
the hope that he would net a female chorus singer or even Mary Baker, the nice
lady vicar who was also singing along. Unfortunately, Mr Morgen smelt so strongly
of the after-shave he thought would help him find a mate as easily as the
animals that had shed musk in the first place did that he was never able to get
near any of the ladies he admired.
To make things worse, Gareth played the piano with a great
deal of banging and flamboyant improvisation that pleased only him. He and Robert
had had extra practises and Robert, fortunately equipped with a voice that
could cope with the noise coming from the piano, was doing a fine job of
looking a bit like a cross between God and a slave driver in his blue cape sewn
by Dorothy out of a discarded blue velvet curtain. While he was singing, members
of the cast stood around and gawped when they were not being pushed around by
Mr Defoe. They showed little or no stage talent and were a defiant lot, Mr
Defoe complained. Moving them around was like organizing a herd of goats, he
said.
Mr Defoe put an end to the noise and movement with a loudly
bellowed ‘STOP WILLYA’ and some fist-crashing on Gareth’s piano keys, causing
Mr Morgan to retreat hastily.
But that did not mark the end of the rehearsal. Defoe had
thought of something he could do with these morons. He would get them to lie
down as if they were asleep.
“Can you all bring a blanket next time?” he said to the
astonishment of everyone.
“It isn’t cold,” the chorus shouted back.
“It is night in the wilderness,” Mr Defoe explained with
forced politeness. “You are sleeping slaves wrapped in blankets.”
“Nothing else?” shouted one rather pert girl.
“Name?” Mr Defoe shouted.
“Aida, Mr,” the girl answered.
“Aida was an Ethiopian slave girl,” said Mr Defoe, hoping
the name was a sign that there was some culture in the wilderness of Upper
Grumpsfield.
“We’ll I’m not an Ethipist what’s it. I’m respectable and
I’m not getting undressed.”
“You don’t need to, Girl. You just wear the blanket on top.”
“My boyfriend won’t like it,” said Aida. “Harry doesn’t like
sweaty bodies.”
“He’ll just have to put up with you then.”
“Can I wear my bikini?”
The male slaves whistled their approval.
Dorothy witnessed some of the rehearsal, feeling more
desperate than ever about everything. She slipped out while the auditorium was
dark.
***
“What have I let myself in for?” she lamented when she reached
Cleo’s cottage, which was between the church hall and her own cottage. Dorothy had
to tell someone all about it, and who better than Cleo?
“It will be all right on the night,” said Cleo, from whom
Dorothy had expected more support and comfort.
“You’ll have to say that with a bit more conviction, Cleo.”
“Cheer up and just go with the flow, Dorothy. Robert can
carry the show with his singing. I really don’t know what you are bothered
about.”
“I don’t like Mr Defoe. Nobody likes him. He’s rude and if
he goes on like tonight they’ll all walk out.”
“Who is Defoe, anyway?” said Gary, who was carrying his
daughter PeggySue around because she did not want to go to sleep.
Gary would have liked to quit his police job to concentrate
on the pride and joy his family gave him. He wanted to hug the whole world and
was not at all enamoured of the negative waves Dorothy was emitting.
“Daniel Defoe-Drummond is firstly an insurance peddler and
secondly a rotten stage director,” said Dorothy.
“He has quite a literary name, Dorothy, but he’s only a
hawker, when all’s said and done. Surely he isn’t that awful.”
“You weren’t at the rehearsal, Gary,” said Dorothy. “I think
someone will kill him one day.”
“I just hope that is not one of your hunches, Dorothy,” said
Gary. “We’d better have a hug,” he said, gathering her into one arm whilst
holding on to PeggySue with the other.
“Better now?” he said.
“Better,” said Dorothy. “I’ll put PeggySue to bed, shall I?”
“Go ahead, Dorothy. She might go to sleep for you.”
Gary dropped a kiss on his daughter’s forehead and Dorothy
took her off to bed. Charlie, Gary’s eleven year old daughter, was already fast
asleep. PeggySue said she wanted to sleep in Charlie’s bed. In fact she
insisted. Gary would put her in her cot later, Dorothy thought. Anything to get
the overtired child off to sleep. Dorothy sat on the little chair next to
Charlie’s bed and sang a song or two. PeggySue relaxed and soon went to sleep
snuggled up to Charlie, who had obligingly turned to face her little sister.
Dorothy sat in the dark for a while, imagining that those children were hers.
She had had no children of her own. That was one of her biggest regrets.
“Did you see that, Cleo?” Gary had remarked, as Dorothy had disappeared
into the children’s room cradling PeggySue.
“Sure. PeggySue loves Dorothy and Dorothy loves her.”
“She’ll be in her element when the new babies arrive, won’t
she?” said Gary.
“And so will you, Gary. I don’t suppose you’ll go to work at
all, will you?”
“I’ll take as much time off as I can possibly manage.
Maternity leave is not just for mothers.”
Later, Gary escorted Dorothy home while Cleo worked on her
laptop. He got back just in time to hear the phone ring and Cleo groan. She was
not in the mood for looking for someone’s missing dog, or tracing a forgetful
relative, or placating an angry neighbour, or finding out who was stealing
produce out of someone’s vegetable plot at dead of night.
“I’ll take it,” Gary offered.
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